This book introduces the design works of architect Kengo Kuma around the world. As a friend of Kengo Kuma, the author Mikimi Tadashi examines these works from a third-party perspective and starts a dialogue with Kengo Kuma. The designer tried to create a high-quality reading space with as low a craftsmanship as possible. Therefore, the designer started from the most basic structure of the book, changed the text structure and redesigned the overall design. The cover was printed with silk screen spot color, and then the font arrangement of the cover and the text created a relaxed and rational feeling. sense of architecture.
A variety of papers are used to present different content, which properly distinguishes the content and matches the paper requirements of different texts. The designer tried to present a better reading experience through some invisible details.
这本书介绍了建筑家隈研吾世界范围内的设计作品，作者田实碧作为隈研吾友人，用第三者的视角去审视这些作品，并与隈研吾展开对话。设计师尝试用尽量低的工艺去营造壹个优质的阅读空间。于是，设计师从书籍最基础的组建入手，对文本结构进行了改动并重新进行了整体的设计，封面采用丝网专色印刷，再通过封面与内文的字体编排产生壹种轻松而又理性的建筑感。
多种纸张配合不同内容的呈现，这样恰当的区分了内容并匹配了不同文本对于纸张的要求。设计师试图通过壹些不被察觉的细节促使其呈现出壹种更好的阅读感受。
